17/06/1977? – Elton John (Shoreditch College)

A cheeky one…

It’s May 1978. You’ve booked a band for your college’s valedictory dance night and they cancel at the last minute. What do you do? Pop round to Elton’s, obviously!

It might sound far-fetched but that’s exactly what the enterprising social committee at Shoreditch College (which would go on to become the Runnymede Campus of Brunel University) did when the act they’d originally booked – Jimmy Helms – pulled out [see below for alternative accounts]. Throw in a couple of bottles of wine, and you’ve got yourself a band. Well, an Elton at any rate. Hilton….?* Or maybe not. The wine, at least, appears to be urban legend. It was actually thus, according to Allen Ibbotson, who was on the very social committee in question:

Contrary to rumour he did not perform for two bottles of wine. He was in fact offered a bottle of whiskey which was bought for him from the college bar. However, he refused this because he had several hundred bottles at home. He did the gig in return for a engraved memorial Shoreditch College Valedictory one pint glass tankard.

 How do I know this?

I was on the committee. I paid for the whiskey. I was sat in the vestry at the chapel when he wrote out his set list on the back of his chequebook.  He was a real gem as not only did he do the gig but he also spent a couple of hours with us after chatting away in the halls of residence.

Hopefully Elton’s chequebook would confirm that he played the following songs:

Crocodile Rock
Daniel
Rocket Man
Your Song
I Heard It Through The Grapevine
Bennie And the Jets

(I’m presuming there were more – the boy’s a born entertainer and not one for half measures. I’m sure he’d have given the Shoreditch crowd their money’s worth….or rather, their engraved memorial Shoreditch College Valedictory one pint glass tankard-worth.)

And if you *still* don’t believe any of this, there’s a picture here to prove it….

*Old Eric Morecambe gag.

Update: Gerwyn adds:

There are a few things wrong with this account, I’m afraid.

1) the year was 1977, not 1978. I was in ’79 year, and didn’t live on campus in my first year, which is why I missed the gig. Moreover, my partner was in ’80 year, and she confirms that it happened before she started at ‘Ditch.

2) it would be unusual to have a valedictory gig in May; it should happen just before the third years leave – in late June, or early July. I suspect that the NME story was published many months after the gig happened.

3) I think the act that had been scheduled to play was Jimmy James and the \Vagabonds, not Jimmy Helms. This would make more sense as the latter was American, whereas the former were British-based Jamaicans.

As to the whisky vs wine controversy: I can confirm that he was “paid” with wine. I know this because some of the rugby club collared me a couple of days later, and persuaded me to go with them to John’s house in Old Windsor and drop the bottle off – probably because they were shrinking rugby violets, and I was a scary punk. I seem to recall that it was a cheap bottle of Laski Riesling from the college bar.

Katie adds:

This was the 17/06/1977 why do I know this, because my mum was one of the 4 people who went to his house and asked.

I’ve amended the date in line with this as other comments seem to corroborate 1977, rather than 1978 as I’d originally posted. Thanks to everyone who has commented to give us a fuller picture of events.

17/11/1978 – John Martyn & support

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John Martyn, pre-photoshop…

[There’s a pdf version of the above here]

Not John Martyn’s first vist to Brunel. He’d also played here on 24th Jan 1975, promoting his eighth LP, Sunday’s child. Support then was Brown’s Home Brew – which sounds appropriate for the notoriously thirsty Martyn. That would have set you back 90p on the door. He would return in November 1979 and a few days after that gig would play the Bataclan Club in Paris – a venue that now stands out in his gig list for all the wrong reasons.

“John is basically a blues guitarist with folkish origins. Sound weird? Well at times he is, making great use of echo units he now plays his faithful acoustic guitar unamplified although in the past his [band] has contained such greats (now of course late) as Paul Kossof.”

                                                                                                                     Le Nurb, 16/11/1978

Again, if any one knows details of the support act or has any memories of Martyn’s Brunel gigs, please get in touch.

Peter writes:

Martyn played a set of two halves. The first half was solo, although there was a drum kit lurking in the shadows that my mate described as ‘the shittest I have ever seen’. Entering the second half, the room is shook apart by the most amazing drum sound and as the gloom lifts, there in his modest majesty is Phil Collins beating the shit out out the one Tom-Tom kit. Along with Martyn and John Giblin on bass, they do much of the Grace and Danger album and more besides. Martyn was a bit less stoned than normal and gave the best gig I ever saw of his… including at least two where he had to retire for a ‘lie down’.
Support might have been Claire Hamill.

03/11/1978 – Steel Pulse/China Street

“One of our two really big events this term. Steel Pulse are at the moment the British reggae band second (and a close one at that) only to Bob Marley in terms of popular appeal. Anyone who has been in the bar will have heard their single ‘Prodigal son’ on the Juke Box. Anyway, it’s going to be a great concert. Tickets are going well, come along and groove.”

                                                                                                                                       Le Nurb 02/11/1978

Steel Pulse are one of the most important British reggae groups. Having initially toured with punk/new wave acts such as the Stranglers and XTC, they became closely associated with the Rock Against Racism movement. Their classic debut album Handsworth Revolution and tracks such as ‘Ku Klux Klan’ show why, despite the obvious stylistic differences, there was such a comfortable fit between many of the punk and reggae bands of the time.

Support act China Street, a ‘white reggae’ act from Lancaster, had previously supported Steel Pulse along with Graham Parker and the Rumour and the Buzzcocks at the Northern Rock Against Racism Carnival held at Alexandra Park in Manchester in July 1978. Paul Morley reviewing the Carnival had this to say of the Lancastrians:

China Street have played more Rock Against Racism gigs than anyone I can think of. A tight, hard-working group, they’re patiently and conscientiously moving through all the right growth procedures., Purveyors of the revolutionary white reggae music, they can also switch easily into custom-built fast rock, gutsy and tender, positive and convincing.

                                                                                                                                             NME, 22/7/1978

The tour that led both bands to Brunel began at Friars, Aylesbury on 29th September. Ian Wood reviewed it for Sounds on 14th Oct:

Two bands at the watershed. For Steel Pulse the question being whether they can evolve from a solid club and festival draw to find a niche on the concert circuit. For China Street the more basic question of survival full stop, and only a few days before this tour their visually irreplaceable pianist Chris Sugden broke his hand. Fortunately, 60 phone calls later, Fred Reedes, one time Steve Gibbons associate, volunteered for the difficult job of copping somebody else’s licks on unknown material.

It’s unclear whether Mr Sugden’s hand had healed by the time the bands reached Uxbridge.

10/11/1978 – Penetration/The Magnets

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Penetration

This sounds like it was a pretty riotous occasion.

Penetration review, Le Nurb 16/11/2015 by Toby

Penetration review, Le Nurb 16/11/2015 by Toby

[There’s a pdf version here]

Eye witness accounts submitted to Penetration fansite Lovers of Outrage hint at a more violent and volatile atmosphere even than the one that comes across from Toby’s review. Derek Ridgers recalled:

“There was an intensely ominous and dangerous atmosphere when we arrived, due to the large number of skinheads present. About three songs in, a mob of about 30 of them invaded the stage, attacked the band and trashed their equipment.”

It sounds as if the show, even though it ran to eighty minutes*, was stopped early, which would explain the band’s unhappiness afterwards. There’s a live recording of the show out there somewhere, apparently. It would have been a good time to see the band. They’d just released their highly acclaimed debut LP, Moving targets (which would go on to be no. 6 in Sounds‘ best albums of the year list.

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Ad from ‘Le Nurb’, 2/11/1978 with original support act Saphisto. Note plug for the forthcoming Rezillose [sic] gig.

The Magnets, who arrived at short notice to replace original support act Saphisto (assuming that’s a band and not a typo – I can’t find a thing on the web about them…) quite possibly did turn out to be ‘small league’ after all, releasing just one single, ‘Who’s the fool (me or you?)’ in May 1979. But what’s so bad about that? They achieved more than many.

Penetration returned to Brunel on 4/5/1979 to promote their second LP, Coming up for air.

*I’m assuming that includes the support act?

15/11/1978 – The Rezillos/The Undertones/Joy Division

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“I see you are not educated down south…”*

Ian Curtis, Joy Division.

Tickets to see these three bands were £1.20 in advance, or an exorbitant £1.40 on the night. What a great – not to mention cheap – way to spend a Wednesday night. Around four hundred lucky souls did just that in the Kingdom Room, Brunel University on 15th November, 1978. It’s a fabulous reminder too of the quirks of the pop merry-go-round. The Rezillos, still surfing the wave of popularity from their chart hit ‘Top of the Pops’ (and appearance on the show of the same name), headlined, only to split up a week after the Brunel show. The band had a falling out after the previous night’s performance in Canterbury and after the Uxbridge gig, singer Faye Fife developed scarring of the vocal cords and the Rezillos dropped out of the rest of the tour. They reformed for one farewell Christmas show in Glasgow, but this was the last date of the tour that would see all three bands perform together and you could argue that the Brunel show really marked the end of the band as a functional unit.

Arguably the enduring cultural weight of these three bands is in inverse proportion to their billing back in 1978. Joy Division opened, starting their set without any introductions or preamble. They managed to get about four or five numbers into it before singer Ian Curtis and the band got fed up with being spat at, told to ‘get off!’ and that they were ‘rubbish’, leaving the Brunel audience with the fond adieu noted at the top of this post. As the band were leaving the stage, drummer Stephen Morris tripped over a cable and fell to the stage, thus triggering even more derisive banter from the audience. The band made the trip across to Bristol for the November 19th gig at the Locarno only to be told that the Rezillos had dropped out of the show with John Otway and Chelsea taking over the top spots on the bill and the Undertones opening. They made a few fans that night in the Kingdom Room though, and one of them has written up his recollections of the show here.

Not much information on the Undertones other than that they played well. The evening ended in what sounds pretty much like chaos with the audience and the headline act having a bit of a barney with one another. Those were the days…

Mark H adds…

I was at that gig. I think Curtis said something like ‘you lot down south just don’t get it’ As a lad from Pinner he was absolutely right. It wasn’t until I visited towns past Birmingham following QPR I thought about what he said. I do recall watching Peter Hook wack someone in the head with his bass.
Undertones were good, very concerned with everyone’s safety.
Rezillos got bombarded with spit to which Eugene the singer took a huge exception. The bloke standing next to me had blond spiky hair and seemed huge. He kept spitting towards the stage and in a split second Eugene dived off the stage and attacked him. They were literally rolling around the floor next to me. Mad, totally mad
…..I had the pleasure of hanging out before a gig with New Order in Maryland. I got to know Michael H Shamberg who directed the true faith and blue Monday videos. He had a wasting illness and we took him to the show . As for the Brunel gig, Stephen recalled being hit on the head with something and Bernard simply said, he’d played a lot of gigs.

Lou adds:

I was also at this gig. Pretty sure there was another support called The Dukes as well. I remember Ian Curtis’s grey school shirt getting entirely soaked in gob and spat out beer. I remember his histrionic dance moves and felt ashamed that he got such short shrift. I’m astonished that they remained onstage as long as they did. I remember the undertones taking to the stage in what must’ve been a state of high trepidation, wearing fishtail parkas which seemed to enrage the already seething audience. You can get those fuckin parkas off for a start was one of the shouts I recall. That said, and because the undertones are such an immediately catchy band, they survived pretty well and got through to the end of their set and marked them out in my psyche as ones to watch. Of course they and Undertones were much beloved by John Peel who was essential listening in those days. I got properly into JD a year or so later when my friend bought me the Transmission 12″. Saw Penetration there too shown on the poster above. Good days.

 

 

…and a very big thank you to Doug Kermit who’s kindly shared a picture of his ticket to this gig….

 

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24/11/1978 – The Hawklords/The Softies

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“Dry ice, well known standby for heavy metal groups, came floating across the stage, shrouding all the members of the group and of course, there were strobes as well, used for longer periods than I’d ever seen before”

Le Nurb 30/11/1978

The Hawklords grew out of the disbanded Hawkwind (Robert Calvert – vocals, Dave Brock– guitar and Simon King– drums) and a local Devon group named Ark (Harvey Bainbridge– bass and Martin Griffin – drums) with the addition of former Pilot keyboard player Steve Swindells. This show was professionally filmed by Charisma, the band’s record label, and extracts have been broadcast on TV, but there doesn’t seem to be anything on YouTube. The Brunel show has also been officially released as, variously, Hawklords Live and Hawklords Live ’78, the latter on the brilliantly named Atomhenge label.

The band released one studio album, 1978’s 25 years on and the Brunel gig was part of that year’s tour to promote the record. The show sounds as if it was quite theatrical, with a dystopian set designed by Barney Bubbles and featuring film projections, light shows, the dry ice noted above, “dancers in drab clothing performing mundane tasks, and spotlight towers creating an oppressive internment camp atmosphere”. Song titles such as ‘Automoton’, ‘The Age of the Micro Man’, ‘Uncle Sam’s On Mars’ and ‘Master Of The Universe’ steer just the right side of Spinal Tap.

More from the Le Nurb review:

“After the Softies had played a mediocre set of pub-rock, there was a pause, then the four spotlights mounted on the roof-high towrs blazed into light, and with agonising slowness, played on the back of the hall, then down onto the stage, where Bob Calvert stood in his urban guerrilla costume, empty bandolier over his shoulder, and megaphone hanging at his side…Of course the whole LP was covered, especially ‘PSI Power’ so, of course, they had to do Hawkwind classics, so they did ‘Sonic Attack’, with echo and distortion, ‘Silver Machine’ and, after two hours, ‘Master of the Universe’ when the power finally got pulled, but not before Bob Calvert, to cheers, had shredded a giant stars and stripes.”

But what of support act, The Softies? Mick “The Big Softie” Smith[?] was chief roadie for artists on Stiff records and formed the band during impromptu sessions during sound-checks. This interview with him from the Vague 3 fanzine probably sheds as much light as there is to be shed on them:

“On the Hawklords tour we were a two-piece; me and drummer George Butler, ex-Chilli-Willi, Kilburn and the High Roads, Larry Wallis, etc.” 

Little else to be found on them beyond this from Hawkwind fansite Seafarer’s Hawkwind Page – this section, again, superbly named, The Drums of Chaos:

“The Softies were support on the UK Hawklords tour. I think most people ignored them”

Please get in touch if you were at this gig or know anything more about the support band…

[There’s a review of this gig and a preview of Pere Ubu here]

06/12/1978 – Pere Ubu/PragVEC

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“Arguably the most innovative and interesting outfit yet uncovered by rock music’s dubious renaissance, Cleveland’s still obscure Pere Ubu certainly have little in common with their peers – the first of countless paradoxes inherent in the operations of their music”

Le Nurb, 30/11/1978

The Brunel show was recorded using the Maison Rouge mobile studio and ‘‘Heart of darkness’ was released on the live LP ‘390° Simulated Stereo’.

Support act PragVEC were promoting their debut EP, ‘Wolf’, featuring probably their best known song, ‘Cigarettes’.

Adv. £1.00

Door £1.20

If you were at the gig, please get in touch through the comments section below….